MACHINE
The idea behind this work came from the idea of a lace machine, in a crude, elemental but also decorative form.Ive been thinking a lot about the idea of craft vs industry/ nature vs the machine.
Taking the elements of lace- cotton and linen with the floral
elements of lace decoration and the element of wood to represent a frame
and combined these natural materials into a sort of tapestry,the idea being that the drift wood is the machine and the loose threads coning down from it are being transformed into a decorative fabric.
The dried flowers have been stitched on in and intentionally crude cross stitch, literally capturing the design.
Atheistically its intended to look natural, raw, I have chosen light, muted tones. I used tea to tone down the original bright white of my cotton fabric.
The circle is to symbolise the cycle of nature and the wheels of a machine and general feeling of repetition and cylindrical happenings.
I noted down words that came into my mind as I was making the work. It was quite labour intensive/ time intensive, hand making all the tassels and stitching on the flowers, but a gentle, pleasant and meditative type of labour.
Overall I'm quite pleased with how it turned out.
i had originally planed to place cotton bobbins on the spikes of the sticks, which gave me the initial idea from playing around with it, to make a lace machine, but as it progress into more of a tapestry I thought it looked more ambiguous without the bobbins. I think they were too obvious. its hard to see when you are so close to the work difficult to see through fresh eyes. I asked fellow artists their thoughts on the bobbins and the general feel was it looked better without and i thought so too.
its quite hard to edit out the original seed of the idea, but I guess that's development.
I made a baby version as a prototype and the design on that was an " S" shape, just because the two floral pieces fitted together really nicely and I thought it was an interesting shape.
I was limited in the amount of dried flowers I had to work with. I had dried the flowers in the summer as part of my research but didn't have a set use for them. In hindsight I would have collected more as think the design looked quite sparse and I would have liked to see it as a full floral wreath for the final piece to represent luxury and abundance of lace and nature.
Tassel making process (above and below) |
Baby prototype |
Trying different arrangements of flower motif |
Deciding on circle motif, comparing shade of vintage lace next to tea dyed cotton, |
Close up of flower and stitching |
words on making the piece |
Baby prototype verison |
Fabric dye with tea |
sketchbook notes |
Circle inspiration from Newstead and process |
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